‘J.S. Bach - Die Kunst der Fuge’
Past event
Cancelled
Postponed
25 Feb.'24
- 19:00
Four violas da gamba and two dancers blend into Bach's polyphony. The word "counterpoint" simply refers to a musical technique that consists of superimposing musical lines. In Kunst der Fuge, Romina Lischka and the Hathor Consort distribute the different voices of Bach's piano masterpiece to several melodic instruments. Polyphony thus becomes the theatre of a dialogue between individuals. Each instrument, with its own timbre and register, played by a different performer, embodies a part of the whole and enriches it by its singularity. Finally, the dancers, through their movements, allow us to see and feel in our own body, the music of Bach.
Contrapunctus I (Die Kunst der Fuge, BWV 1080)
Contrapunctus II (Die Kunst der Fuge, BWV 1080)
Contrapunctus XIIIa (Die Kunst der Fuge, BWV 1080)
Contrapunctus IV (Die Kunst der Fuge, BWV 1080)
Contrapunctus XVI (Die Kunst der Fuge, BWV 1080)
Contrapunctus V (Die Kunst der Fuge, BWV 1080)
Contrapunctus XVIII (Die Kunst der Fuge, BWV 1080)
Contrapunctus XIVa (Die Kunst der Fuge, BWV 1080)
Contrapunctus XIIa (Die Kunst der Fuge BWV, 1080)
Wenn wir in höchsten Nöthen sein, BWV 641
Contrapunctus XV (Die Kunst der Fuge, BWV 1080)
Contrapunctus XI (Die Kunst der Fuge, BWV 1080)
Practical information
Dates
Location
Hall M
Rue Ravenstein 23 1000 BRUSSELSWatch ✕ Read ✕ Listen
“There’s not one clear answer on ‘the’ way of performing Bach.”
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