‘C'est toujours un peu dangereux de s'attacher à qui que ce soit’

All actors knows it: there is no bad audience, there are only bad performances. All, that is, except Eno Krojanker and Hervé Piron (or their characters, in any case), who shift the paradigm with humour and finesse, seeking to teach audiences how to become a ‘good audience’. Shot through with a disarming irony of truth, the play denounces the manipulation and temptation of the tyranny of theatrical performance. A theme that the growing assault of media images makes very real.