‘Bach, master of reuse and recycling’

9 Feb.'20
- 19:00

Leonardo García Alarcón, Cappella Mediterranea & Chœur de Chambre de Namur

In his Missae Breves Bach wrote four tense masses which, in terms of musical richness, are not outdone by his great Mass in b, BWV 232. In the Missa brevis, BWV 235 Bach demonstrates his mastery in absorbing a variety of contemporary musical styles. The other works in the concert have been included to shine a light on several outstanding arrangements by this German grandmaster. Bach rearranged Antonio Lotti’s festive Missa Sapientiae to make it his own. Kuhnau’s motet Der Gerechte kommt um, also bathes in the Bach idiom. The ideal interpreter of the Bach influence in these baroque works is the temperamental Cappella Mediterranae.  

Leonardo García Alarcón
conductor
Mariana Flores
soprano
Valerio Contaldo
tenor
Clint van der Linde
alto
Edwin Crossley-Mercer
bass
Programme
Antonio Lotti

Missa Sapientiae

Johann Sebastian Bach

Missa brevis, BWV 235

Johann Sebastian Bach

Motet "Der Gerechte kömmt um" (after J. Kuhnau)

Practical information

Location

Henry Le Boeuf Hall

Rue Ravenstein 23 1000 BRUSSELS